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放开达西先生

  • 6.9分 

    战争片 

    葡萄牙 

  • 日语 

    2025年 

    正片 

  • 2025-08-15 10:51:09 

  • 刘寅娜

  • 冯依依 安迪·怀特菲尔德 霍伊·曼德尔 金高银 丽贝卡·罗梅恩 班罗普·洛罗伊

  • 该片讲述了:丁凯表示自己办不到,这☣时候天悦从后面☏♦过来,说这一切都是自己✡✃的安排,她想让丁✑妈妈亲身感受一✖✄下丁凯的工作环境☴。江奉恩激动✡地称,自己不再是♠七年前对母亲言听计☀从的江奉恩,他✎☲要挽回李晓涵。Scorsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.

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